For Carl Andre is a direct response to and critique of Minimalist sculpture (specifically Andre's floor pieces). Benglis's use of fluid, unpredictable materials and her emphasis on process and chance contrast sharply with the controlled geometry of Minimalism. The work is sensual, bodily, and celebrates the fluidity of form.
Born: October 25, 1941, Lake Charles, Louisiana, USA
Nationality: American
Style: Postminimalism, Process Art, Sculpture
Influences: Minimalism, feminist art, Abstract Expressionism
Major Exhibitions: "For Carl Andre" (1970), "Ping Pong" (1969), "Phantom" (1971)
Quote: "I wanted to make work that was excessive, that overflowed the boundaries of good taste."